Who says Ents aren’t real? All you need is time in the wild and a little imagination:
Italian photographer Elido Turco spent four years between 2004 and 2008 exploring a mirrored photography world that remains invisible to most of us. By taking photographs of tree bark and then mirroring the photographs he captured, he discovered a whole society of “Dream Creatures” were watching him each time he would take a stroll through the mountain paths.
Turco loves walking the mountain paths of his native Friuli with his wife, and for years he would use this time to try and find human forms and faces formed by the bark and roots of the trees in the forest.
Click here for more amazing images.
Here’s Lev Grossman writing in Time Magazine on the new popularity of fantasy fiction:
It’s interesting to compare the present moment to another one when fantasy was a big deal: the 1950’s, the decade when The Chronicles of Narnia and The Lord of the Rings were published, two of the founding classics of modern fantasy. By that time in their lives, C.S. Lewis and J.R.R. Tolkien had lived through some massive social and technological transformations. They had witnessed the birth of mechanized warfare – they were both survivors of World War I. They had seen the rise of psychoanalysis and mass media. They watched as horses were replaced by cars and gaslight by electric light. They were born under Queen Victoria, but the world they lived in as adults looked nothing like the one they’d grown up in. They were mourners of a lost world, alienated and disconnected from the present, and to express that mourning they created fantasy worlds, beautiful and green and magical and distant.
God knows, characters in fantasy worlds aren’t always happy: if anything the ambient levels of misery in Westeros are probably significantly higher than those in the real world. But they’re not distracted. They’re not disconnected. The world they live in isn’t alien to them, it’s a reflection of the worlds inside them, and they feel like an intimate part of it.
Modern man inhabits a world that is increasingly alien to him. There is no sense of place, of history, of community. The nobility and purpose of the Fellowship of the Ring, and the family and community spirit that inspire Katniss in The Hunger Games awaken us to the possibility of a life enriched by interconnection and mutual concern. And then there’s that sense of wonder we can recall from childhood, and can feel again in imagined worlds.