Category Archives: mystery

Just one more thing …

Publicity photo for Columbo

My mother, an enthusiastic reader of crime and mystery stories, got me hooked on the original Columbo series back in the 70s. During our latest family get-together for New Year’s, my wife and I spent the night with her. The Sundance channel ran a Columbo marathon over the weekend, and of course, we watched several classic episodes together. It was great to spend time with my mom and revisit old memories.

Much of the series’ appeal was its implied critique of fashionable debauchery. Detective Columbo was solidly middle class, as was his code of ethics. Though he often assured suspects he was “only doing his job,” he was actually defending blue-collar values. His suspects were affluent and rootless jet-setters. Besides being murderers, they casually resorted to blackmail, adultery, and theft to get what they wanted. Columbo never lectured or grandstanded about his morality, but championed it through the way he lived his life.

For example, in “Sex and the Married Detective,” a world-famous sex therapist suggests Columbo should attend one of her workshops to loosen him up. He turns her down with his usual politeness and propriety: “Oh, but I’m a married man.” To Columbo, that meant something. It also meant something to his fans.

The show was funny, too. Here’s an exchange that could’ve fit into a scene from “Naked Gun”:

Columbo: So far, sir, we don’t have a thing.
Nelson Hayward: Well, that’s heartening.
Columbo: Officially, that is.
Nelson Hayward: And unofficially?
Columbo: Unofficially, we don’t have anything either.

And then there were the running gags, which were highlighted for me by seeing them in back-to-back episodes. Columbo was always borrowing things and forgetting to return them. I don’t know how many times I saw him borrow a pen or a lighter and absent-mindedly walk off with them. The owner always had to remind him to return their property, to his red-faced embarrassment.

The Columbo marathon was great entertainment and heady inspiration for anyone who writes mysteries. My mother, still going strong at 91, thoroughly enjoyed it. After a traditional Southern New Year’s feast of pork, cabbage, black-eyed peas and pecan pie, it was a much-appreciated trip down memory lane.

Slush Pile Update

I’ve been fairly productive lately. I have four manuscripts looking for love in various slush piles on the internet, and two have found a home. Yay!

I’ve signed a contract with Murderous Ink Press, a new mystery publisher in the UK (and who knows more about murder mystery fiction that the Brits?). They’re going to publish my short story “The Tell-Tale Armadillo” in an anthology entitled The I’s Have It. My story is the latest exploit of chief medical examiner Treka Dunn, whose first adventure appeared in Mystery Weekly Magazine last month. A house has blown up, victims want answers, and Treka discovers it wasn’t an accident.

Also, my dark sci-fi story “Days to Remember” will appear in the next issue of Idle Ink, a spunky online magazine specializing in “genre fiction that’s too weird to be published anywhere else.” Sounds like a perfect home for my story.

Looking forward!

Neurodivergence and Mystery

Absence of Evidence
Photo by https://unsplash.com/@nathananderson

I’ve taken Charles French up on his generous offer to publish a guest post promoting my latest story on his popular blog. Mystery Weekly Magazine has published my novelette “Absence of Evidence,” a story that’s more than just a murder mystery.

Be sure to check out the background on my latest work. And don’t forget to follow Charles French, whose blog offers a wealth of resources for both writers and fans of speculative fiction. French teaches literature, and is an accomplished writer himself.

Mystery Weekly Magazine is a Mystery Writers of America approved publisher, and is available in digital and print formats on Amazon.

Absence of Evidence

Mystery Weekly Magazine has published my novelette “Absence of Evidence.”

Treka Dunn, the senior investigator for the county Medical Examiner’s office, is positive the deceased in her latest case, Davis Washburn, died of natural causes. However, Davis’s autistic son Ron believes his father was poisoned. When a toxicology exam reveals no evidence of foul play, Treka tries to explain the findings to Ron.

But when Ron tells her about his last conversation with his father, Treka realizes she’s made a serious mistake.

This is my second appearance in Mystery Weekly Magazine. My first story with them, “The Calculus of Karma,” was a sci-fi/mystery mash-up. “Absence of Evidence” is a procedural crime story, with a gold mine of technical detail. For me, the background research for a story is a huge part of the joy of writing, and “Absence” was a challenge that occupied me nearly two months. The plot also owes a great deal to my years as a workflow analyst.

Which proves that with enough effort and just the right amount of devilish imagination, you can write a story about anything.

I want to give special thanks to two technical advisers who provided invaluable information about the inner workings of hospitals. One is my daughter, Lt. Jessica Fields, an experienced RN who’s now an Air Force nurse. The other is Betty Vuncannon Crowley, an RN who went on to hospital administration. I am eternally grateful to both.

Mystery Weekly Magazine is a Mystery Writers of America approved publisher, and is available in digital and print formats on Amazon.

T. E. Hulme and the Heart of Mystery

T. E. Hulmd

A murder victim demands many things.

Their very presence requires answers to tough questions: Who did this? How? And above all, why?

Mystery stories promise a twisting and often treacherous search complicated with deceit and dark emotions. And that search offers rich opportunities to explore the boundaries of human rationality and depravity. The murderer, in taking a life, has struck a blow against normalcy itself, so solving the crime is not just for the immediate victim, but all of society.

Is the culprit a blatant sociopath, a serial killer who continually preys on others? Or – perhaps even more terrifying – is it a latent sociopath we thought was normal?

Mystery author Joanna Schaffhausen writes that we can recognize sociopaths by their “narcissism, lying (even when it was easier to tell the truth), indifference to societal rules, [and] lack of empathy or conscience.”

Mystery tales explore the dark tendencies unleashed by social disconnection. And this is where Imagist poet T. E. Hulme can step in to clarify things. In his essay Romanticism and Classicism, Hulme discusses the distinction between these two movements, and in doing so, lays out the difference between the world views of the protagonist and antagonist in a mystery story:

Here is the root of all romanticism: that man, the individual, is an infinite reservoir of possibilities; and if you can so rearrange society by the destruction of oppressive order then these possibilities will have a chance and you will get Progress.

One can define the classical quite clearly as the exact opposite to this. Man is an extraordinarily fixed and limited animal whose nature is absolutely constant. It is only by tradition and organisation that anything decent can be got out of him.

I suspect that those of us attracted to mystery stories want to enter a world where social norms are defended and restored. After all, the act of reading is itself an affirmation of man’s social nature. As Hulme states in the same essay, literature is a social endeavor:

The great aim is accurate, precise and definite description. The first thing is to recognise how extraordinarily difficult this is. It is no mere matter of carefulness; you have to use language, and language is by its very nature a communal thing.

Studies have shown that reading helps us better understand and connect with others. No wonder mystery stories hold such an attraction for us — they show us the problem and deliver the cure in one fascinating package.