The Barbarian and the Playwright

Fans of Robert E. Howard know the timeless appeal of his greatest creation, Conan the Barbarian. As David Smith puts it, Conan is “the natural man, ourselves begun again, reborn in a world as we secretly know our own world to be beneath its layers of hypocrisy and pretense.”

In my latest guest post at the DMR Books blog, I examine the parallels between recurring themes in the Conan stories and the works of dramatist and science writer Robert Ardrey.

In African Genesis and subsequent books, Ardrey examines the anthropological evidence for what “the natural man” actually is, as opposed to the myths we are told, or worse, tell ourselves. Ardrey’s works provide a deeper understanding of Howard’s tales celebrating the heroic, enduring qualities that make us human.