I will confess to having never been tempted to participate in NaNoWriMo, or National Novel Writing Month. The goal of dashing off a 50,000 word manuscript in 30 days struck me as gimmicky and pointless.
But I may have to change my mind. Though a recent Publishers Weekly article on NaNoWriMo is entitled “How to Succeed at NaNoWriMo,” I’m more interested in WHY I should participate.
Turns out the article zooms right in on that concern, and it got my attention:
NaNoWriMo’s pressing time constraints leave little time for polishing and perfecting—and that’s perhaps the point.
Marissa Meyer, whose novels Cinder and Scarlet (Square Fish, 2014) began as NaNoWriMo drafts, says the beauty of the program is that it “forces you to silence that internal editor and just get something written. If you’re telling yourself that it’s OK to be writing something bad because you can always come back and fix it later, it takes a lot of the pressure off.”
Ouch. That hit home. That internal editor remains one of my biggest writing roadblocks. I can’t peck out two sentences on the laptop without having to go back and proof what little I’ve done. I know I’m supposed to complete my manuscript before getting all editorially and nit-picky, but I succumb every time to the temptation to tweak what I’ve written. And that slows me down, which impedes the completion of my manuscript, and a completed first draft, despite its inevitable ugly spots, is an accomplishment that will spur me on to sticking to the whole process.
I used to dismiss flash fiction as a gimmick, too, until I tried my hand at it and discovered the rigor and discipline it takes to complete quality pieces. It isn’t easy, and that’s the point. There’s no doubt writing flash fiction has improved my writing by forcing me to say what I want to say in fewer, stronger words. You can judge for yourself here and here.
So look out, NaNoWriMo 2015. Here I come.