Black Ghost

Silver Blade

Silver Blade Magazine specializes in “Cutting-edge Science Fiction, Slipstream, and Fantasy.” The latest edition features my flash fiction piece “Black Ghost.”

The inspiration for this story came from a couple of things. My father, a veteran of World War II, was recently admitted to the “Memory Ward” at a nursing home. Seeing him alone in a wheelchair when I visit makes me wonder if people passing by have any idea what this quiet man, a veteran of the Battle of Okinawa, endured in that war. Short answer: They do not. Nor do most folks consider what they owe to that generation, a generation of heroes which slips away from us day by day.

The other spark for this story was a fascinating article in Ancient Origins about the once widespread practice of interring items in tombs the dead could use in the afterlife. These “parting gifts” weren’t cheap. Consider what archaeologists found in the tomb of Princess Ukok of Siberia:

Buried around her were six horses, saddled and bridled, her spiritual escorts to the next world, and a symbol of her evident status, perhaps more likely a revered folk tale narrator, a healer or a holy woman than an ice princess.

There, too, was a meal of sheep and horse meat and ornaments made from felt, wood, bronze and gold. And a small container of cannabis, say some accounts, along with a stone plate on which were the burned seeds of coriander.

Often, the living would supply the departed with the means to carry on their life’s work. The Ancient Origins article cited a study of tombs from pre-Roman Italy that revealed “indications of the commonality of military service since men’s tombs of the era routinely contained metal weaponry lying across or near the skeletal remains.”

That got me to thinking about the many deities and religions — not to mention nations — that have come and gone over the centuries, and how all of them arose because they met timeless human needs. The more I thought about it, the more intriguing the possibility a future society could adapt this ancient practice. Next thing I knew, I was outlining a story I’d already titled “Black Ghost.”

Stories provide much that religion offers. The tales we read, like the ones we encounter in worship, may not be factual but are nevertheless true and necessary. The cycles of nature, the challenge of growing up and leaving home, and one’s inevitable confrontation with life and death arouse fear and fascination within every human heart. Stories and myths have the power to startle, teach, and assure us on life’s journey. That’s why religion and storytelling have germinated in all cultures.

And whatever one’s views on religion, we can all appreciate the story’s secondary themes of the debt the living owe past generations, the heroism of ordinary people that make life possible, and the boundless potential — and petulance — within every 12-year-old. Enjoy.

Best Fiction and Writing Blogs

Hemingway Writing

The best fiction and writing blog posts from around the ‘net, with advice and inspiration guaranteed to make you a literary adventurer. Compiled by ernie.

Jeremy AnderbergThe Libraries of Famous Men: Ernest Hemingway
Krishan CouplandHow to Submit Your Writing
P. S. HoffmanHow I Learned to Stop Worrying and Love the Outline
J.C. Wolfe7 Ways I Find Writers’ Blogs
Jami GoldWhat Does Your Genre’s Theme Promise to Readers?
Cathleen TownsendEditor’s List of Common Mistakes
A. J. HumpageThe Art of Captivating First Lines

Spring tidings

Aztec Midnight

Yes, spring is here, and things are popping out all over. First this from my publisher, The Novel Fox:

Our favorite adventure novella, Aztec Midnight, is now literally a page-turner!

Aztec Midnight is available in both ebook and print. Purchase your paperback copy here

Yes, 2016 is off to a good start. So far, I’ve sold three sci-fi/fantasy short stories to three different publishers. One, The Clincher, came out in early March. A second is due in late May, and another will appear in a print anthology in September. I’ve completed the final edits and signed the contracts, so it looks like full steam ahead. Here’s to a productive 2016!

Quote of the day

Belloc
“I can pay no attention at all to those who regard the cherishing of the past as an arresting, or a cramping; a check. On the contrary, it seems to me the privilege of a lively mind . . . . There is a sort of tradition which is not a form, nor a ritual, nor a name, but a surviving influence.” Hilaire Belloc

Charlotte Observer Limerick Contest

Limerick

The Charlotte Observer hosts a limerick competition every year that runs from Saint Patrick’s Day to April 1st. They call it their “Politics & Public Policy Limericks Contest.” This year the paper encouraged entries lampooning the presidential campaign, but the current campaign is so bizarre and depressing, I just couldn’t imagine making a humorous rhyme about it. So instead, I decided to write limericks about local disasters.

The editors published my limerick on Charlotte’s I-77 toll lanes controversy. The public hates the idea of paying tolls, but there’s the added sting of a Spanish company (?!?) building the lanes and keeping all the profits they generate. Weird, huh? But so ripe for ridicule! From the Charlotte Observer editorial page:

It wasn’t all presidential politics, though. Give Mike Tuggle bonus degree-of-difficulty points for rhyming the word ‘criteria’ and going the foreign language route to finish his piece about the Interstate 77 toll lanes:

I can’t understand the criteria

That mandate toll lanes from Iberia.

The gain from those lanes

Stays mainly in Spain.

It’s Charlotte’s camino mysteria.

Stay tuned for future satirical entries in the coming weeks. Yes, I live in a target-rich environment.

Aztec Midnight now in paperback!

Aztec Midnight paperback

What are the Alebrijes so excited about? Their favorite novella, Aztec Midnight, is now available in paperback from Novel Fox. Of course, the Kindle version is cool, and it’s nice to be able to carry a library in your reader or iPhone, but there’s nothing quite like the feel of a real book in your hands. That cover is truly a thing of beauty.

Now, about the Alebrijes: They’re fantastic monsters folk artists in Oaxaca carve from copal, a wood Oaxacans believe is magical. Some, such as the lizard monster center right, are made of papier-mâché. They were “discovered” by the traditional art world when a gallery owner from Cuernavaca (where much of the action in Aztec Midnight takes place) started buying them in the 1930s. Mexican artists Diego Rivera and Frida Kahlo found inspiration in them and helped further popularize them.

The magical creatures shown above are from my wife’s collection.

“Rowdy” Roddy Piper Versus Cthulhu!

Portal to Hell!

This evening, The Charlotte Film Society featured two shorts and a full-length film. My wife and I agreed the main film, Nina Forever, was an unfocused hot mess. However, the short Portal to Hell!!! was a blast.

Ex-pro wrestler Roddy Piper plays Jack, a patient, over-worked, and under-appreciated building super. Jack’s so stressed by his job that he ignores a lady who’s obviously interested in him. One day, while checking out a power loss in the old building’s creepy basement, he discovers that two elderly male tenants dressed in tighty whities have invoked none other than the dreaded Cthulhu from his undersea hideout in R’lyeh. Jack just wants to do his job, but he’s pretty sure the men’s actions violate their lease, and doesn’t hesitate to tell them.

The Old One, being who he is, strikes out from his portal and kills everyone in his reach, then wraps a tentacle around Jack and s-l-o-w-l-y drags our hero toward certain doom. But the lady who has a secret crush on Jack finds the book the old men used to summon Cthulhu. Will she find the correct spell in time? And is that spell permanent or just a temporary fix?

Great special effects, great acting, lots of laughs, and plenty of hidden treasures for Lovecraft fans.

One sad note: Roddy Piper passed away shortly before the film was nominated for the Toronto International Film Festival.

Through Wendell Berry’s Looking Glass

Berryphoto via http://www.theseerfilm.com

Laura Dunn’s new documentary of Wendell Berry lets us meet a true American original. Produced by Robert Redford and Nick Offerman (Parks and Rec), The Seer introduces viewers to the work and thought of Berry, whose writing grapples with the question of how we can remain human in an increasingly flattened, urbanized, and technological world.

From a review by Gracy Olmstead:

Berry is a Kentucky-born farmer and philosopher, essayist and poet, environmental activist and localist. He’s written fiction, nonfiction, and poetry, and has been the recipient of a Guggenheim fellowship, the National Humanities Medal, and the Richard C. Holbrooke Distinguished Achievement Award. Those familiar with Berry’s work know that he is an outspoken advocate for “flyover country”—for towns and communities, farmers and farms neglected or even maltreated by modern politics and culture. His nonfiction work lauds a loyalty to place, to family, and to community that we’ve largely forgotten. His poetry exudes a reverence for the created world, for the glory of quotidian rituals and objects. His novels combine both these things in characters that love their towns and land. Through this immense body of work, Berry has appealed to a wide range of readers, transcending political and personal biases.

What makes Wendell Berry so refreshingly different as a social critic is that his starting point is not some pre-packaged, other-worldly ideology. Instead, Berry lives and writes within a close-knit community of people making their living on family farms. As Olmstead points out, Berry’s independent point of view has “angered people on both left and right—but it’s also enabled him to bridge ideological barriers and appeal to a large set of people. He’s tapped into a yearning that lies in the heart of so many: a love of home, of place, of traditions that are worth preserving and communities that are worth celebrating.”

We live in an artificial world where the use of anti-depressants is “skyrocketing.” Wendell Berry’s battle cry for reclaiming human connections may be just what we need.

Adventures and mishaps in science fiction, fantasy, and mystery