Want to see pictures of the various sites where much of the action in Aztec Midnight takes place? Then you need to check out Pinterest.
Calle Revolución in Cuernavaca, the U.S. State Department headquarters in D.C., the Instituto Nacional de Antropología e Historia, the Tepozteco archaeological site in Tepoztlan — there’s even a picture of the magical lair where it all came together (aka, my humble little office). Check it out.
Why do all human cultures create and pass on stories? We know that shared stories — histories — unite a people, just as a person’s life history unifies one’s many experiences into a coherent narrative and defines that person. But that’s only part of it.
Now we are learning that a shared story creates a connection much deeper than we ever suspected. Writing in Aeon Magazine, Elizabeth Svoboda tells us how neuroscience is uncovering how stories help us connect to other people:
In a 2010 Proceedings of the National Academy of Sciences study, the psychologist Uri Hasson and his Princeton University colleagues had a graduate student tell an unrehearsed story while her brain was being scanned in an fMRI machine. Then they scanned the brains of 11 volunteers listening to a recording of the story. As the researchers analysed the data, they found some striking similarities. Just when the speaker’s brain lit up in the area of the insula – a region that governs empathy and moral sensibilities – the listeners’ insulae lit up, too. Listeners and speakers also showed parallel activation of the temporoparietal junction, which helps us imagine other people’s thoughts and emotions. In certain essential ways, then, stories help our brains map that of the storyteller.
We already knew stories let us break through our normal limits, allowing us to transport ourselves into deep space, the deep sea, or life as it was lived thousands of years ago. But they also enable us to free ourselves of those most alienating and harmful barriers, the self-made blockades meant to protect, but which actually isolate us from other people.
So it’s not just entertainment, and it’s more than imparting valuable lessons. It’s a basic human need.
I often have trouble speaking in public and getting up the nerve to meet people. But at certain times in critique groups, open readings, or when I receive kind notes from readers, I feel I’ve shaken loose my usual inhibitions and fears and have managed to connect. It’s a wonderful feeling.
“Ransom notes.” Elmore Leonard
Ha! Love that quote. And check out the BBC interview with Leonard at the link. The Master talks about his approach to writing, his daily regimen, and how he learned to let his characters be themselves.
Tolkien gave us “tween” (though we’ve modified the meaning) and Jonathan Swift coined “Yahoo.” Some of the other terms may surprise you. From Electric Literature.
The Abbeville Institute, a site dedicated to Southern arts, has published my article on Robert E. Howard. Here’s a sample:
“The novelist with Christian concerns will find in modern life distortions which are repugnant to him, and his problem will be to make these appear as distortions to an audience which is used to seeing them as natural; and he may well be forced to take ever more violent means to get his vision across to this hostile audience. When you can assume that your audience holds the same beliefs you do, you can relax a little and use more normal ways of talking to it; when you have to assume that it does not, then you have to make your vision apparent by shock — to the hard of hearing you shout, and for the almost blind you draw large and startling figures.” Flannery O’Connor
The Southern Gothic tradition, as pioneered by such writers as William Faulkner and Carson McCullers, as well as O’Connor, is noted for its stinging indictment of modern life. Southern Gothic tales feature shocking violence and criminality committed by bizarre, larger-than-life characters clawing for survival in a society that has broken down. Magical and supernatural forces often intervene in unexpected ways.
Read the rest at Abbeville Review, and like it here.
Sarah Hoyt reminds us how presumptuous and simply wrong-headed it is to imagine the rest of the world is just like us, only dressed differently. As she puts it, “I don’t think anyone realizes just how different the texture of life is elsewhere.”
She’s right. My wife and I spent three weeks in a village in central Mexico where I researched Aztec Midnight. Though I’d been in the country before, I was not prepared for what I encountered.
The locals we met were extremely hospitable, generous, and eager to talk to us. I admired how social they are — we attended a birthday party for a 75-year-old man we’d just met, and our hosts kept offering us homemade rum and beer, pastries, and enchiladas. They love to fiesta.
But Mexicans are indeed different. There’s a certain Mexican attitude that encompasses both cheerfulness and fatalism, and it’s expressed with a grin and a shrug of the shoulders. Their national character is a striking contrast to American triumphalism.
The more we learn about others, the more we can appreciate who we are.
The best fiction and writing blogs, compiled by lovecraft
A Vase of Wildflowers: Links for Readers and Writers [Good stuff here, folks!]
Writerish Ramblings: Critique Group
Captain’s Log: Notes on Money and Self-Publishing [Practical advice from a writer who’s walked the walk]
Kill Zone: Don’t Muddle Your Message [How to think like an editor]
Alice Osborn: 4 Tips for a Writing Mom to Stay Sane
Jacqueline Seewald: How to Increase Your Creativity and Productivity
Flavorwire: The 50 Sexiest Literary Villains
A Writer’s Path: Ten Quote Tuesday [Need inspiration? Ryan has it]