Tag Archives: Modern life

Modern life, Reading

The Death of Newspapers

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Kevin Siers Cartoon Caption

My hometown paper, The Charlotte Observer, has fired Kevin Siers, its Pulitzer-Prize winning political cartoonist. Like many other papers, the Observer has been whittling itself away the past few years. They lost their palatial office building, quit printing a Saturday edition, and have bled off numerous positions over the last decade: business editor, book editor, social editor, and so on.

I didn’t agree with many of the Observer’s or Siers’ positions, but they were well presented and challenging. They used to host a limerick competition for St. Patrick’s Day and picked one of my limericks for publication. Kevin Siers picked my submission for his “Write that Caption” cartoon competition four times, and always awarded me with his original black-and-white drawing — except the last one, when he surprised me with the colorized version used for publication. (See above) It’s a cherished memento that now hangs framed in my office.

People tell me, “Just read the news online.” No. Trying to read online is not the same experience. Pop-up ads disrupt you. Worse, autoplay videos try to lure you away from the article, and videos aren’t as thought-provoking or enjoyable. Reading is an active and cooperative activity between reader and writer, while watching a video is passive and one-sided. Watching a video is like inserting electrodes into your brain and submissively absorbing the input.

Progress? This isn’t it.

Jack London, Modern life

Happy Birthday, Jack London

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Jack London

Today is the 145th birthday of writer and adventurer Jack London. Like Robert E. Howard and Ray Bradbury, Jack London was largely self-taught, and his maverick, imaginative style continues to attract and captivate new generations of readers.

If you think London just wrote adventure tales for kids, well, you need to check out my post Jack London: Blood and Redemption at the DMR Books web site.

I’m honored that Deuce Richardson invited me to write this post to kick off the 2021 DMR Guest Bloggerama. And I hope my introduction to Jack London’s life and work will help more readers discover him.

Flannery O'Connor, Modern life, Publication day

A Good Couple

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A Good Couple
Idle Ink has published my latest flash story, “A Good Couple.” It pays tribute to Flannery O’Connor, one of my favorite authors. Like the Grandmother in “A Good Man Is Hard to Find,” the characters in “A Good Couple” are so busy condemning the sins of others that they cannot see their own.

This is one of my rare literary pieces. I enjoyed writing it, even though I had to chase down the muse to capture the story on paper.

Idle Ink is the perfect home for this story. This lively magazine publishes fiction “too weird to be published anywhere else” as well as “articles that poke fun at modern life.” After you’ve read my story, treat yourself to the book and movie reviews, the challenging opinion pieces, and intriguing artwork.

PS – Fellow Idle Ink and Hexagon contributor Ioanna Papadopoulou has been nominated for a Pushcart Prize for her story “The Drowned King.” Congratulations, Ioanna!

Fiction, Modern life

After Dinner Conversations — a review

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After Dinner Conversations

After Dinner Conversations is “a website of short stories designed to encourage ethical and moral conversations with friends, family, and social groups.” When I read that the featured stories aimed to “create an accessible example of an abstract ethical or philosophical idea,” I was immediately reminded of the novel Sophie’s World by Jostein Gaarder.

Except that After Dinner Conversations (ADC) succeeds much better.

Sophie’s World is an enjoyable and challenging tale that explores the nature of reality. In the story, the protagonist must master philosophical concepts to regain control of her life, which has been taken over and altered by a philosopher.

What I like about ADC is that the philosophy is more deeply embedded in the story. While Sophie’s World throws huge chunks of philosophical exposition at the reader, the stories in ADC craft philosophical problems into plot points.

In Tyler W. Kurt’s “The Shadow of the Thing,” for example, Dakota, the POV character, visits her friends Maeve and Jason, who’ve asked her to join them for the evening. Maeve intends to take a drug that allows one to see the “true world” that’s “layered on top of the world that you see around you.” Later, while waiting for the drug to kick in, Dakota and Maeve sit back and watch the shadows on the wall.

The allusion to Plato’s Cave signals the story’s theme of looking – and seeing – beyond appearances. I thought it amusing that the author foreshadowed (!) the theme at the beginning of the story, when we learn that Maeve and Jason, both unconventional personalities, live in an ordinary tract home in the suburbs. Not exactly the place one would expect to find a wingsuit-diving programmer or a travel blogger who’s visited over 70 countries.

ADC says its goal is to feature stories that spark discussion, and this story clearly succeeds. Jason has already had his eyes opened by the mysterious drug. But the experience seems to have permanently depressed him. Does seeing underlying reality sap one’s enthusiasm? Are our illusions our surest comfort in a bleak world? If so, why would Maeve (and perhaps Dakota) want to follow his example?

And that’s just off the top of my head. Many more fascinating issues lurk beneath the surface here.

I’ll close with a little speculation about the characters’ names. Maeve is an alternate spelling of Queen Medb of Irish mythology, whose name means “she who intoxicates.” In Greek mythology, Jason was married to the sorceress Medea, who ultimately destroy each other. Does this suggest how the Maeve and Jason in “The Shadow of the Thing” end up?

As I said, the possibilities for generating discussion abound.

Modern life, Wendell Berry

The Idiot Box vs. Humanity

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idiot box

“After forty-odd years, the evidence is everywhere that television, far from proving a great tool of education, is a tool of stupefaction and disintegration.”
Wendell Berry

“So please, oh please, we beg, we pray,
Go throw your TV set away,
And in its place you can install
A lovely bookshelf on the wall.
Then fill the shelves with lots of books.”
Roald Dahl

“Throw out the radio and take down the fiddle from the wall.” Andrew Lytle

Heinlein, Modern life, Robert E. Howard

Quotes of the day

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heinlein and howard
“A dying culture invariably exhibits personal rudeness. Bad manners. Lack of consideration for others in minor matters. A loss of politeness, of gentle manners, is more significant than is a riot.”
Robert A. Heinlein

“Civilized men are more discourteous than savages because they know they can be impolite without having their skulls split, as a general thing.”
Robert E. Howard

Language, Modern life, Reading

My Name is Joe Bob, and I’m an English Major

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Reader

Well. Seems Joe Bob Briggs is torn these days. While repeatedly swearing his life long love for literature, he now claims it has no real-world value:

And eventually, if you study the data, which is what the Modern Language Association does, you have to reach the conclusion that studying English is good for…nothing. …

I’m racking my brain. I’m trying to come up with justifications. I’m trying to figure out some way this translates into “Yes, you are now prepared for life.” But alas, these modern students who thumb their noses at English are correct. It’s good for nothing. It has no practical value whatsoever.

Wait — NO practical value? C’mon, Joe!

Briggs laments that many of today’s college students aren’t even considering majoring in English, and are instead flocking to more “practical” courses of study. No doubt a degree in accounting or math is more marketable these days. But to dismiss the study of literature as having no value is wrong, wrong, wrong.

We could argue that learning how to interpret complex texts has significant value in a technological world. We could talk about the crucial role of reading in improving one’s social intelligence, making one more adept at working with others, or how reading helps one form a robust and informed worldview to make sense of one’s place in the world. Or how fiction in general, and science fiction in particular, opens one to spiritual insights that can make you a happier, and therefore more productive person.

But if you insist on focusing only on hard science, we’ve got you covered. Scientists have solid evidence on the link between reading and general problem solving skills. The act of reading itself builds “white matter” in the brain that boosts its ability to recognize patterns and imagine new scenarios. The importance of reading in nurturing general intelligence is beyond dispute:

But in today’s world, fluid intelligence and reading generally go hand in hand. In fact, the increased emphasis on critical reading and writing skills in schools may partly explain why students perform, on average, about 20 points higher on IQ tests than in the early 20th century. The so-called Flynn effect is named after James Flynn, a New Zealand professor who has devoted much of his career to studying the worldwide phenomena of increasing IQ scores.

Knowing technical details is important, but developing the ability to use technical knowledge in new and creative ways is critical.

Modern life, Wendell Berry

Nick Offerman: Wendell Berry’s works are a multi-plattered feast

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Port William

I can’t wait to get my hands on Wendell Berry’s latest book, Wendell Berry: Port William Novels & Stories (The Civil War to World War II). Here’s an introduction to it and Berry’s other works, by none other than Nick Offerman:

He has garnered adoration and accolades for his poetry, his essays and his fiction, but in a general sense no distinction need be drawn between these genres. All of his writing thrives on the ground water of his common sense and his affection for his place on earth and the inhabitants of that place. In the eight decades and counting Mr. Berry has been paying attention, he has witnessed his species genuflecting to the modern fashion of keeping pace with the ever-increasing proliferation of consumer goods and services. By maintaining a lifestyle that eschews that sensibility by simply choosing not to go any faster than necessary, he has maintained a perspective rife with wisdom by which we can all prosper and thrill.

We can’t all be an exemplar of the agrarian lifestyle like Wendell Berry, who produces a staggering volume of literary work while managing his Kentucky farm. But there’s a great deal we can do to restore sanity and meaning in our lives. The disease Berry diagnoses is consumerism, by which he does NOT mean various efforts to ensure the safety and quality of goods, but the modern mindset that helplessness and rootlessness are virtues rather than shortcomings. In Berry’s words, “A mere consumer is by definition a dependent.” Madison Avenue sells pre-packaged identity, esteem, and meaning, and when expensive “stuff” fails to make us happy, the answer is to buy more.

How to be less dependent? Make your own food. Make your own music. Make your own furniture. And think before you buy more plastic yuck you don’t really need. And of course, we can inform ourselves about the condition we’re in, and Berry’s work is a great place to start. I’ve found his writings inspirational.

By the way, I had no idea Offerman was something of a Renaissance man. In addition to acting, he makes boats, furniture, and has written three books. He disdains labels and ideologies, and considers himself “a free-thinking American.” We could use a few more of those.

Modern life, Nature

Spooky Wisdom

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Earth

Journalist Gracy Olmstead examines modernism’s legacy of sterile efficiency and the anti-human spaces it spawned:

But in modernity … we chose to dispense with precedent and tradition. We decided to distrust the “spooky wisdom” of the past—whether it had to do with old-fashioned agrarianism or dense walkability—and instead start from scratch, inventing our own way of doing things. Thus, freeways cut through the core of our cities, severing neighborhoods and communities. Suburbs sprung up around cosmopolitan centers, fashioning their own car-centric rhythms and culture. Farmers, meanwhile, were told to “get big or get out,” to trade diversity and sustainability for homogeneity and profit. Small to midscale farms steadily lost land and resources to their larger, industrialized counterparts.

The “spooky wisdom” she writes about is a term borrowed from quantum theory. It refers to intuitive insights that work even though we can’t fully explain WHY they work. Olmstead offers examples from ancient cities and rural communities whose designs not only fulfilled profound human needs but have survived and thrived over long centuries. Her great-grandfather, she notes, resisted the efficient yet inhumane practice of “confined animal feeding” on his small farm because providing open pastures “made the animals happy and kept the land pretty.”

I’ve long believed that our longing for beauty rises from our deepest needs and provides crucial guidance in meeting those needs. Our yearning to interact and enjoy nature and other people has been pushed aside in favor of gratifying material wants. In the mad rush to get there faster and consume more and more, we’ve managed to sequester our bodies in polluting cars or in the shadows of towering buildings. And we wonder why we feel so isolated and small.

However, some hopeful currents are stirring, from the return to small, sustainable agriculture to walkable greenways in our cities. Nature tends to be self-correcting, and I believe the pain inflicted by modernism is a signal we as a species are finally responding to.