Tag Archives: Southern Fiction

Witch Flambé

Witch Flambe

The latest edition of Aurora Wolf features my short story “Witch Flambé.” Set in and around modern-day High Point, North Carolina (my home town), it’s about two old friends now in vastly different circles who team up to clear a young lady who’s accused of setting fires at her employer’s “guerilla dinners.” Someone’s casting spells on the “underground dining” events, and our protagonists must seek out the help of a Scots-Irish granny witch.

Appalachian Granny Magic is one of those old Southern ways that have recently enjoyed renewed interest:

The tradition is a very old one, dating all the way back to the first settlers of the magical Appalachian Mountains who came over from Scotland and Ireland in the 1700’s. They brought along their even older Irish and Scottish Magical Traditions with them. Those two ‘old world’ Traditions were then blended with a dash of the local tradition of the Tsalagi (Now, called the Cherokee Indians.)

Because of the rural and secluded nature of the Appalachian community, the old customs, wisdom, and practices were not as often lost, forgotten, or ‘modernized’ as the ‘old world’ traditions that came over to other, more urban areas of the ‘new world.’ Therefore, one will often find that ancient Irish or Scottish songs, rhymes, dances, recipes, crafts, and ‘The Craft,’ are more accurately preserved in Appalachia than even in Ireland or Scotland.

This story was a blast to write. It has just about everything I love: good food and drink, old friends, the surprisingly enduring power of the past, nature’s astonishing ability to rejuvenate — all topped off with a delightfully scary confrontation at the end. I hope you enjoy it.

About those literary labels …

Bottom line: They’re all useful. And like anything useful, they can be misused.

Over at Thoughts on Fantasy, Nicola Alter argues for the necessity of literary labels:

As a reader, I love genre. I love that there are labels in the different parts of the book store, or labels on Goodreads, that help me find the kind of story I’m looking for.

As a writer, I love genre, because it allows me to convey the kind of story I am writing with a few simple words. I love to think about stories I could write that use elements of different genres, or that subvert or fulfill genre expectations in interesting ways.

Alter also weighs in on the debate she calls “The Myth of Genre Fiction vs Literary Fiction.” It’s true they are distinct categories, but they are not castes. One is not superior to the other. There are good and bad examples of each. Plot and characterization are vital in both.

I can relate. I’ll get an occasional raised eyebrow for considering both Hemingway and Howard as mentors. But I learned a great deal from reading Hemingway and Howard. Both authors crafted great stories that still crackle with energy.

That said, another label that generates more heat than light among readers and writers involves region. Dannye Romine Powell dismisses regional labels as restrictive, even dismissive. But I tend to side with Hailey Foglio on this:

Lately, I’ve been thinking about the identity of writers and how we define ourselves. Writers label themselves based on location, genre, themes, etc. Personally, I refer to myself as a Young Adult writer because that’s what I love and that’s what I do. A couple weeks ago, we had a wonderful writer visit us at WVU named George Singleton. George is from South Carolina, and during his visit, George told us that he had been invited to an Appalachian writing conference. But he distinctly argued, “I don’t consider myself an Appalachian writer; I’m a Southern writer.”

I consider myself a Southern writer primarily writing fantasy fiction, and I see nothing incongruous in adapting the wild and fantastic to traditional themes. The best apologist for this approach was Flannery O’Connor, who famously said, “You have to make your vision apparent by shock — to the hard of hearing you shout, and for the almost blind you draw large and startling figures.”

Works for me.

Bruce Springsteen on Flannery O’Connor

Spriingsteen

Last week, I noted the similarity between acting and writing. In this interview with the New York Times book review, Bruce Springsteen discusses the literary influences on his songwriting and his life:

If you had to name one book that made you who you are today, what would it be?

One would be difficult, but the short stories of Flannery O’Connor landed hard on me. You could feel within them the unknowability of God, the intangible mysteries of life that confounded her characters, and which I find by my side every day. They contained the dark Gothicness of my childhood and yet made me feel fortunate to sit at the center of this swirling black puzzle, stars reeling overhead, the earth barely beneath us.

For more insight into Springsteen’s worldview, check out Sins Unatoned: The Gothic Imagination of Bruce Springsteen.