“Whether we and our politicians know it or not, Nature is party to all our deals and decisions, and she has more votes, a longer memory, and a sterner sense of justice than we do.” Wendell Berry
I resolve to be very bad this year
… and very good. It depends on what I’m aiming for at the moment.
Now that I’ve had a chance to digest all the advice and resolutions of various writers and writing coaches, I’ve decided what advice I intend to follow and what advice I will violate.
For starters, a number of well-meaning gurus counsel writers to finish what they’ve started. Only they say it like this: “Finish that manuscript! And eat your broccoli!”
No doubt they mean well. And there are times when you have to buck up and WORK at getting words onto the screen (or paper). But when a project just doesn’t work for you, there comes a time when you have to admit you took a wrong turn. Why keep on working to complete a piece that you know in your gut is a waste of time?
Another way I intend to be bad is to be more open to artistic expressions I once rejected or was afraid to approach. The “bad boys” (and girls!) of literature have something to say, and many of them say it damned well. For example, I just finished Charles Bukowski’s Ham on Rye, and loved it. He’s a writer who, from what I’d read ABOUT him, I just knew I’d despise. Boy, was I wrong. Ham on Rye is honest, gritty, vivid literature.
We all need a little crazy in our lives. In Act V, Scene 1 of my favorite Shakespeare play, A Midsummer Night’s Dream, Theseus offers these observations about the little spoonful of insanity that makes art come alive:
Lovers and madmen have such seething brains,
Such shaping fantasies, that apprehend
More than cool reason ever comprehends.
The lunatic, the lover and the poet
Are of imagination all compact:
One sees more devils than vast hell can hold,
That is, the madman: the lover, all as frantic,
Sees Helen’s beauty in a brow of Egypt:
The poet’s eye, in fine frenzy rolling,
Doth glance from heaven to earth, from earth to heaven;
And as imagination bodies forth
The forms of things unknown, the poet’s pen
Turns them to shapes and gives to airy nothing
A local habitation and a name.
As Hippolyta acknowledges, that interplay of madness and craft can yield “something of great constancy” that is both “strange and admirable.”
But fear not; I only intend to flirt with the dark side, not elope with it. I’ll be good, too, in the coming year — I’ll continue to set writing goals, blog often, and keep myself mentally and physically sharp by getting outdoors more often and exercising. It’s good to have both feet planted on the ground. However, the idea is not to stay planted, but to have a good foundation from which to explore and grow.
The Complex Sense of Place
“The deconstuctionist postmodern analysis asserts that we never actually know anything about our local patch of the biosphere because we can know only the concepts our particular society has invented … All this seems exceedingly odd–and more than a little pathological–to traditional native peoples, for instance. From an early age, they pay a great deal of attention to the dynamics of the natural world, both individually and collectively. They observe with great sensitivity the dramas, rhythms, and presence of place.” Charlene Spretnak, The Resurgence of the Real, p. 27.
Worthwhile writing, like any other product of a living culture, arises from a people’s strivings, tragedies, and victories as experienced in a particular place. This is an insight that animates the fiction of Tolkien, and I think he would agree that the sense of alienation that afflicts so many these days is the result of our loss of feeling for the dramas, rhythms, and presence of place. Tolkien certainly knew that a vivid setting could be as strong a character in a good story as the protagonist, and no one could create a living, dynamic backdrop like he could.
Why we need fairy tales now more than ever
Rowan Williams, the former Archbishop of Canterbury, argues that fairy tales aren’t just for kids, though these stories do teach children that the world is a rough and tumble place full of hurt and strife. These stories also remind us we are capable of courageous and intelligent action that enables us to cope with the challenges of life:
The point is that myths don’t need happy endings; they are not ways of resolving the unfairness of our experience or the frustration of our emotions. They provide a framework for imagining our human situation overall. But the fairy tale has its roots in a mixture of what Warner calls “honest harshness” and “wishful hoping”, depicting the hardest challenges we face as human beings and the possibility of “alternative plot lines”, ways out or through. But when we become culturally more suspicious of ways out, something changes: stories have to be coloured with a tragic palette, a recognition of what can’t be wished away.
I’d add that the same holds true for all fiction. Like religious faith, good literature not only opens us to beauty and contemplation, but to the central message of human existence: that there are things beyond our control, but we are never alone nor helpless in facing life’s challenges.
The Magic of the Everyday
“There is a rule for fantasy writers: the more truth you mix in with a lie, the stronger it gets.” – Diane Duane, via A Writer’s Path
Anne Leonard offers some great advice for fantasy writers in the current io9 that echoes Diane Duane’s invaluable maxim:
I still really like epic fantasy, and especially the world-building part. What I’ve come to realize, though, is that for me world-building is necessary but not sufficient to suck me into the story; for the epic to be epic, it needs to be set against the mundane. By “mundane” I mean “worldly as opposed to spiritual,” rather than the more colloquial usage implying boredom and dullness. The anthropologist Clifford Geertz wrote about “exoticizing the domestic,” and I think that concept is what makes for really good fantasy and speculative fiction. The writer takes the ordinary and twists it, or puts it into a different context.
The term “exoticizing the domestic” brings to mind Rosemary’s Baby by Ira Levin, one of the greatest fantasy stories ever. The movie will rattle you, and the book will make your head explode. What makes it so relentlessly creepy is the way it piles on odd but apparently explainable details that, by themselves, appear ordinary, but add up to a tsunami of horror. In the opening, a helpful elderly man shows Rosemary and her husband Guy around the exclusive Bramford apartment building. He taps the elevator button, and Rosemary notices he’s missing part of his finger. They find a beautiful apartment where they stop and puzzle over a massive dresser blocking the door to a closet. When they manage to move the dresser and open the closet door, they find … nothing out of the ordinary. They take the apartment, and feel lucky to get it. After all, this is Manhattan.
Weeks later, at night, Rosemary hears the neighbors through the walls. She thinks they sound like they’re chanting … but Guy doesn’t believe her. And then … well, you know what happens next: a cultural phenomenon.
I rejected the idea of introducing the magical elements of Aztec Midnight in a prologue for just that reason. Not only would that have made the story less accessible, it would have been overkill. The interior of Mexico is a haunted, brooding place alive with tragic stories and populated by a stoic, courageous people. I wanted to capture the region’s dark magic, and the best way to do that was to show its effects without heavy-handed explanation.
Anne Leonard’s point is that a smart writer positions the ordinary into stories to lure the reader into a recognizable world. Once they’re in, the magic you unveil will be more believable.
Did your writing coach hide the Hendiadys from you?
The greatest writers, including Shakespeare and Faulkner, knew the secret of the hendiadys and used it to supercharge their fiction. Read this useful and entertaining article and make this esoteric figure of speech part of your writing arsenal!
That is, if you can handle it…
David Holt and Southern Folk Music
David Holt’s State of Music: 30s promo for UNC-TV from Will & Deni Films on Vimeo.
From David Holt TV:
David Holt has spent his life learning and performing traditional American music. It has taken him from the most remote coves of southern Appalachia to the bright lights of TV studios and the Grand Old Opry stage. In this show, David introduces viewers to modern masters of traditional music in the Southern mountains and remembers the legends who taught him.
Mark your calendar for Thursday, January 29. David Holt will host this personal tour of traditional Southern folk music on public TV. This should be good!
Best fiction and writing blogs
The best fiction and writing blogs, compiled by il miglior fabbro
It’s time to plan for the new year, so let’s focus on how to improve our writing. Here are the best resources I discovered in the past year. 2014 was a pretty good writing year for me. I hope these pointers will work for you, too. Enjoy!
Write on the River: 16 Thoughts for Authors/Publishing for 2015 [Wow! Don’t miss this]
Amina Gautier: Joy of Revision
A Writer’s Path: Writer’s Toolbox [More like the super-writer’s utility belt! See for yourself.}
Hugh Hart: 8 Tips For Creating Great Stories From George R.R. Martin
Jordan Dane: Five Key Ways to Make Your Characters Memorable
Jodie Renner: Get into Your Protagonist’s Head
Chuck Palahniuk: Eliminate “Thought” from your writing! [The single best pointer of the year for me]
Steven James: Pump Up Your Creativity
Quote of the day
“What first stuns the young writer emerging from college is that there is no clear-cut road for him to travel on. He must chop a path in the wilderness of his own soul; a disheartening process, lifelong and lonesome.” Flannery O’Connor
The Call of Lovecraft
Now this is fun! Take an armchair tour of Providence, Rhode Island, where H.P. Lovecraft lived most of his life. It’s eerie to see the actual sites from Lovecraft’s home town that made their way into so much of his fiction. The accompanying text shows real understanding of this tortured but gifted author’s work and vision.
Be careful, though — the Old Ones are always near. And Cthulhu doesn’t like to have his dreams interrupted.
M.C. Tuggle, Writer 