Robert Gordon Van Horn, November 16, 1924 – September 11, 2015
Now this brings back some memories:
Robert (“Bob”) Gordon Van Horn was an unassuming man, not given to boasting, and devoid of any ego. If you spoke with him, you’d never know that he was a popular TV personality, a creative innovator, or a war hero. As our mutual friend Dave Plyler told me, “Bob saw fierce combat in World War II at the Battle of the Bulge for which he earned a purple heart and a bronze star, but he never discussed his service.”…
Bob is preceded in death by North Carolina’s other legendary children’s TV show hosts: George Perry (WFMY’s Old Rebel); Fred Kirby (WBT’s singing cowboy); Uncle Paul Montgomery (WRAL’s jazz artist); and Brooks Lindsay (WSOC’s Joey the Clown). His passing earlier this month should serve as a reminder of the pioneering work they all did to make growing up just a little more fun.
Saturday afternoons, I’d plant myself in front of our black-and-white TV and watch those wonderful “B” serials Bob Gordon featured on his show in between rope and magic tricks. Rocket Man was my favorite.
Those cliffhanger serials were my first introduction to science fiction, and no doubt influenced my approach to story telling.
Thanks for the memories, Bob.
A technician has been killed by a robot at a Volkswagen plant near Kassel, Germany. Someone forgot to program in the most important law of all.
From the article: “VW said the robot had not suffered a technical defect.”
Isn’t that reassuring?
One of the writer’s vital functions is to advise readers about the possible dangers of certain actions and beliefs, just as doctors warn their patients about unhealthy behaviors and attitudes.
In that spirit, Dr. Bradley Birzer argues in The Imaginative Conservative that the current interest in dystopian science fiction is not a sign of degeneracy, but a cause for hope. As he puts it, “At their best, dystopias allow us—through the faculty of imagination—to see not only inhumanity, but the motives behind inhumanity.”
I believe such warnings are necessary and apropos. Modern life is characterized by radical transformations that are being imposed without consideration for basic human needs. Charlene Spretnak summarizes the worldview behind those transformations in her classic, The Resurgence of the Real:
In the modern worldview, a salvational sense of progress places economic expansion and technological innovation at the center of importance. Modern government, whether socialist or capitalist, is charged with safeguarding and furthering that expansion because social and cultural development is believed to follow in its wake. Thanks to modern advances, traditional concerns stemming from the human condition have been largely conquered, managed, or replaced altogether: Modern life promised freedom from the vagaries of the body, the limits of nature, and the provincial ties to place. The body came to be seen as a biological machine, the natural world as a mere externality in modern economies, and the sense of place as a primitive precursor to cosmopolitan sophistication.
In my mind, such an agenda guarantees an anti-human dystopia. So, as Birzer says, let the short stories, novels, and graphic novels that depict dystopia go forth and spread their warnings. We need them.